Maltese Artist Matthew Attard Explores Maritime Heritage, Faith, and Progress Through AI-Driven Art at the Venice Biennale

In the 60th Venice Biennale, Maltese artist Matthew Attard presented a thought-provoking exhibition that explored his country’s maritime heritage, faith, and progress through the use of AI-driven technology. His work focused on images of ships that were graffitied by seafarers on the stone facades of chapels in Malta between the 16th and 19th centuries.

Attard used generative algorithms and an eye-tracking device to create a database of digital images. These images were then used to create artworks such as 3D scans and video pieces, highlighting the evolution of traditional art forms through innovative technology. The reinterpretations of the etchings gave a ghostly, skeletal impression that prompted viewers to question the role of technology in art and society.

The maritime graffiti served as a metaphor for hope and survival, resonating with cultures deeply connected to the sea. Similarly, Maltese chapels have served as places of sanctuary throughout history. Attard’s exploration of these themes aimed to draw parallels between blind faith in digital technology and traditional beliefs. His exhibition at the Malta Pavilion at the Venice Biennale, commissioned by Arts Council Malta, invited audiences to reflect on the fusion of art, history, and technology in a visually striking manner.