In the dystopian world of Boy Kills World, we are introduced to a society where televised bloodsports rule supreme. These brutal competitions keep the masses entertained, but at a terrible cost. The victims are carefully selected to maintain the power of a ruthless family of despots known as the van der Koys. The film’s world-building is established quickly in the opening minutes, making it hard for viewers to keep up with the fast-paced narrative.
The protagonist, a young man known as “Boy” played by Bill Skarsgård, has witnessed firsthand the tragic deaths of his mother and sister before escaping into the jungle. Now trained in martial arts by a shaman, he is determined to seek revenge on those who caused him so much pain. The film’s unique color palette and frenetic style may remind viewers of other films like Kill Bill and Oldboy. However, Boy Kills World stands out with its quirky and bizarre tone.
Director Moritz Mohr, with support from producer Sam Raimi, goes all out with the action sequences in this film. The high body count, cartoonish violence, and hyperactive camera work create a video-game-like sensibility that is both exhilarating and overwhelming. Despite its excessive nature, Boy Kills World delivers an entertaining and unique viewing experience that will leave audiences wanting more.
